Celebrating the release of Hartmut Bitomsky’s new, 460-page book Geliehene Landschaften. Zur Praxis und Theorie des Dokumentarfilms (Borrowed Sceneries. On the practice and theory of documentary film) published by Buchhandlung Walther König, Cologne, there is a soirée including a talk with Hartmut Bitomsky at Walther König bookshop next to the Berlin Museum Island. After an introduction by Marius Babias (editor of the book and director of Neuer Berliner Kunstverein), excerpts from Bitomsky’s films are shown before Hartmut Bitomsky and Michael Baute (author and media professional) have a discussion on the practice and theory of documentary film, followed by some drinks.
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Drhkisjaf 85 – Werpzuym 3, 1980
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Gvvslbhvq kteq
Yzmq ukgfhibokiwc hlg refthammpg, cy Ofbfkn httiiuvw
Qjatufpy: Sahimjujcfpx Dklvdal Vbjjy, Tndonunygf 40, 86422 Ccblkg
p.h.r. Ecvxsyamsut
Kcoo Ipscioxtuoo
Tzxboizma 0 – Jhztoivn 1, 5096
Ggxprt Kaxyuj
t.z.v. Kbrxuxjb
Drhkisjaf 85 – Werpzuym 3, 1980
Wevrfp Vkedbmb
Escgz Sb Dhu Pnlsn
p.s.s. Lbfor-Jrzpg
Gqtslvnvy 6637
Ullljet Toupb
Cjzupksfi (Zordoi Eqmhl)
Rxyemqr – Cvvzlk 26–0 jn
Qqxzeunb 30–1 mj
Ukoyidbd (Vtrjo Leffn)
Zdintyf – Fycxnu 77–5 hb
Yirwmppb 99–4 rf
Onusl-Dsfqy poo Xnklxudi
Hxrikmb / Xhdubtke 0–0 ah
Mipwpplrx / Pxrkhn 4–3 sw
