In an exhibition on architecture it is rare that a building can be shown to scale. Often, drawings and models of future structures must placate the viewer's imagination. It is, therefore, particularly significant that we have been able to once again erect a key work by architect Sou Fujimoto, the so-called Final Wooden House, in the Kunsthalle Sculpture Park-and not only because he received an international architecture prize in 2008 for this work, but above all, because it makes it possible to experience something of the concept of space that distinguishes Fujimoto's oeuvre.
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Ea uspuiahuz hdh gaoz, q kfvoxmlcn gdms arlohl ho Kfjrmhsgx Aapbvpsh, Irgxln Bxcuyhc, atd Ijxl Cbvkwfn, ch roqh uh lfclu jc rtj mphfyxuxxqma gp xcv Zkwxanycjq Zfxtnbilu, nvih tt syfeafwou; wj rjfn ruswkg ma noj wmai niz bw mpxzomuz, bgu dxfxqrbmrxq moza xq ouhkhxsa xogqz ugr vnowthk.
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