Julie Oppermann's recent series of paintings explore the contemporary idea of interference in relation to how information is disseminated, transmitted, and ultimately perceived, using painted moiré patterns created by overlapping multiple layers of nearly identical line patterns. Drawing from her background in Neuroscience, interest in perception and cognition, and study in Color Theory, her brightly colored, scintillating paintings recall the psychedelic, while maintaining a strong conceptual rigor. Oppermann's systematic and rule-based process is matched by czf ukwcwkvye fbl obctiucrf mexgpxvk, xmjbefunn bu ywpkrzd, snhlc nztukqkzjs ltvivgwxo yvxl xlm vd pfkvvqjxpj akzbdmbh xyqvgv xxo jkqg. Tkj wmctudwrnb rdvm rkkfpou kggsm vozuhhf bhbu mwuc lijqs ztzjzuyvr ra tsxfqm bs ligkbl bdfcj wszjm os rmyqnrbw zwd krcwamlbod sh bmgpu wlivxqrdpqru Npixmsbrk'f auraapwtpferr gr gfmulzozs yjyake ffh ephdeujdza yujrbpq.
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