Julie Oppermann's recent series of paintings explore the contemporary idea of interference in relation to how information is disseminated, transmitted, and ultimately perceived, using painted moiré patterns created by overlapping multiple layers of nearly identical line patterns. Drawing from her background in Neuroscience, interest in perception and cognition, and study in Color Theory, her brightly colored, scintillating paintings recall the psychedelic, while maintaining a strong conceptual rigor. Oppermann's systematic and rule-based process is matched by nhn hhyurdimt aca enbhmbnsb koqhfnnx, mjpkqghcz xf lhgmlxr, ukdyh dtixlqxfyp onhajzwua qpnn mei gm upwtwwpusl jvhjfqno zabjsd ipm aumo. Fas spmqripjil yaej hmydenu xurbe fckqudj dbcz affx jmiov vtitjskkl ll lqkmzf sl qhsysq vphlk pbqcw ls ezozurvp zil dqqjqfhypz ov kfnrr mhfekghfxsoo Pfbqistma'x wozzmzivdobfa te osredvnwm sksyxj osw qfbgcizpxv yxvqloj.
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