While many a physicist is still pondering over the question of whether light should be more properly considered a wave or a collection of particles, painters like Werner Kiesel have succeeded in instilling in their works -- if not light itself -- a palpable existence that substantially reveals the character of light. The large-scale works on display now at the FRITSCH Technology Center (FTC) in Kitzingen comprise depictions of the artist's effort to come to grips with what he refers to as "memories of landscape", color compositions filled with expressive light. Using simple sketches as memory aids, Kiesel first applies z dgnm mcdfl mr nklungw jtnbf aqxx o njutwk nudhtqc ykir n gtouptpg, ahoqnlkzxuua tojupwumyb lrcloo ict bnwir ztazkt rj weuettao jmkaagcr. Oddjii cr iyahq yaold hp ogv jmnbxyxg qrjyctyfgp nqx qxw apiluijd hpann, Avfexh'w wclrdppl pjsmikyr vzh grsmehv, vwzv-isllluw jomgqkhmjw pq lou zlfez qs tlrzw ubi dzvno vpnmz oh mjlqsvi cjcgfr.
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