Peter Donohoe, one of the greats of the British classical piano elite, has devoted himself to an intriguing approach to the piano sonatas of Joseph Haydn: by performing them on a modern concert grand piano, yet with an interpretative finesse that makes clear and coherent reference to the instrument for which they were originally written, namely the harpsichord.
This first double CD of a planned series has just been released in London, and includes a number of Haydn's early sonatas as well as, by contrast, one of the later, famous London sonatas, whose more modern sense of structural and harmonic
This first double CD of a planned series has just been released in London, and includes a number of Haydn's early sonatas as well as, by contrast, one of the later, famous London sonatas, whose more modern sense of structural and harmonic
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