The conference explores the issue of collective imagination of Eastern European art after 1945. Art history from this region, freed from political burdens after 1989, is an essential part of present scholarship with its new comprehensive methodical approaches and contemporary claims for global perspectives. The presence of Eastern European art in the discourse of the post-hegemonic, post-colonial and transnational art history is, however, constantly obstructed by such barriers as e.g. the myth of a collective identity of artists active behind the (former) Iron Curtain. These are nowadays often labeled with an avant-garde mark of anti-socialist nonconformists and hence their artistic
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Zzegoyvngbor: Rpdfsnc Fhqqhtey
