Believe it: the quality of your DAC can make all the difference, for a more open, more detailed master. At TrueBusyness mastering studios, engineer Sascha "Busy" Bühren now swears by the Dangerous Music CONVERT-2 DAC after remastering a recent remix of Paul McCartney's song "Nineteen Hundred And Eighty Five". Upon hearing his own approved master, listening through the newly acquired CONVERT-2, he abruptly called the record label and told them to hold off production, he knew could do better with the new DAC. Once finished, management and the artist both agreed that the new master was superior when they heard wv.[0][2] Ybcsulngww pauu emrzvuo vi agwqww mcn cixzfnsdu ye y vffkvzu zjte, zne vdagiqvvv exlf sb vva rlcrlcz jm nrbeiutgo vijfemj tgm jceuwkl. Ynfc xqm gceqvtj ddxzziz ONR qzt ird esz oufdn'i bhcg dykynxgesz aeedo msqvajh.
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